Arpeggiator pad · seed-2-1-turbo
Using the pre-provided tone.min.js (global Tone), build a clickable pentatonic pad grid that triggers a synth voice with reverb, plus a play/stop button that runs an arpeggiator sequence at an adjustable tempo. All sound synthesized, no audio files.
transcript · 8 messages
Using the pre-provided tone.min.js (global Tone), build a clickable pentatonic pad grid that triggers a synth voice with reverb, plus a play/stop button that runs an arpeggiator sequence at an adjustable tempo. All sound synthesized, no audio files.
thinking
Using the available Tone.js, I'll build the target pentatonic pad grid.First, verify the Tone.js file, then create the HTML file.
{"command":"ls /tmp/ws/tone.min.js"}/tmp/ws/tone.min.js
thinking
It is my plan to create the target HTML file.
/tmp/ws/index.html (8634 bytes)Successfully wrote 8634 bytes to /tmp/ws/index.html
thinking
File written, verifying validity now.
{"command":"ls -la /tmp/ws/index.html && echo \"---\" && wc -l /tmp/ws/index.html"}-rw-r--r--. 1 node node 8635 Aug 13 01:24 /tmp/ws/index.html --- 291 /tmp/ws/index.html
Created `/tmp/ws/index.html` — a self-contained pentatonic pad grid app using tone.min.js: **Features:** - **15 clickable pads** (3 octaves × 5 notes) in A minor pentatonic (A, C, D, E, G) - **Polyphonic synth** (triangle wave) with reverb for pad clicks - **Arpeggiator** with play/stop button — sawtooth synth through a low-pass filter, 16-step pattern across all 3 octaves - **Tempo slider** (60–200 BPM) controlling Transport BPM - Visual feedback: pads scale down on press, flash on arp trigger - Gradient-colored pads (red/orange/purple per octave) - Touch support for mobile, no external resources
TAKE IT TO CODE
A single self-contained HTML file — copy it and open in any browser, or reuse the prompt with your own pi-agent run.
RUN
EVALUATION
Pentatonic pad grid with play/tempo controls; click and drag highlight pads, matches prompt but visuals are static/basic.
Vision grade · anthropic/claude-sonnet-5
MEASUREMENTS
Raw readings from the capture, not a verdict — the grade above is the only judgement. Percentages are how much of the screen changed; the measure under-reports sparse motion on a dark background.